Led Zeppelin I Side One

I had planned on letting my new Zeppelin LP sit in its box for the weekend because I was going on a camping trip the next day, the kids were running around, and I had work to finish before I left. Then I told myself I would just open the box and look at the sleeve, admiring the work. Well, after opening the box I decided I would just hold the record and enjoy the touch, then somehow the record ended up on the record player. I figured by this time I would go ”all in” and pull out my old air guitar, moments later I was strutting through the music room playing and singing about the days of my youth when I was told what it means to be a man.

This band was not created but evolved out of the work of many musicians. We can’t actually talk about this evolution without mentioning “The Yardbirds” which involved not just Page but Eric Clapton and Jeff Beck, and somehow Keith moon got involved with John Entwistle. And when Page thought it would be great to form a band with these two but one of them said, “That would go over like a lead balloon.” They played a series of shows together and even recorded a song, but in the end this groups never solidified for one reason or another, the chemistry just wasn’t there but it is good to know the family history. It is good to know that all the good musicians played together but didn’t try to force something that wouldn’t work. Two years later when Page with Robert Plant, Jon Bonhom, and John Paul Jones decided to form a band Page remembered the old conversation about lead balloons.

Led Zeppelin I

As a teenager I didn’t know much about the history, I didn’t need to, I just knew how the music felt. The music filled me, when the song started I could see strobe lights and lava lamps, I could hear screaming fans, but more than that I could hear the moan. As a teenager I felt this feeling through all the girls that said no and the masses I was too afraid to ask. As a medical chaplain I heard it in the cries of those who were left behind when a loved one died, and as a Mississippian I heard in the crickets and juke joints. The moan was something more than just rock and roll. It is heartbreak, love, hate, joy and sadness, it’s blue.

This music became a major part of the soundtrack to my youth. It would be playing in the background when I was playing Nintendo, or writing in my journal. It played while my friends and I sat and did nothing on short summer days. And it mattered that it was old, it mattered that it was classic. I never really looked at the song breaks, the changes in the midst of the song would walk me down brand new path so often I thought the albums were made up of 30 different short songs. I appreciate that, during the middle of the song, the band seams to take a break just so they can take their guitars for a walk. There was something fearlessly heartbreaking in the music.

In an earlier post, I said this album was close to impossible to obtain before the reissue. I asked once if the record store clerk had Zeppelin 4 in stock, he laughed. In fact, he told me that when a copy would come in it didn’t last the day. I remember passing on a copy once in Memphis Tennessee 10 years ago I often think back to that day in sadness, and I have no clue what happened to my father’s copy. However, I had never seen any of their other albums. Sure I could get one of the compilations but that just wouldn’t be the same.

This set is the first reissue of the original source material since Atlantic stopped pressing the records. As a child I listened on cassette to Led Zeppelin I and II, but had my father’s copy of IV to listen to. I only know the rest through the compilation albums. I look forward to my new walk through of Led Zeppelin albums on LP. There is something special about holding this record in my hands… Strangely, when I feel the smoothness of the vinyl and the ridges of the grooves I can’t help but hear an echo saying, “They call me the hunter… that’s my name”

Don’t forget to check back for part 3 that will focus on the bonus material of the LP.